Valses nobles et sentimentales, part 2

Valses nobles et sentimentales,  part 2

Valses nobles et sentimentales, part 2

Maurice Ravel

Michel Dalberto's masterclass

Produced by the Saline royale Academy French Music sheet annotated by  Michel Dalberto  is available 47 min Piano

In the second part of this masterclass, Michel Dalberto and Kennosuke Izuka work on accents, dynamics, and tempo.

Produced by the Saline royale Academy

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The masterclass

About this masterclass

In this second masterclass featuring Maurice Ravel’s Valses nobles et sentimentales, Professor Michel Dalberto and student Kennosuke Izuka complete the waltz with the third movement.  

The pair work on dosing the pedal, and producing a sound that is not too dry. Dalberto encourages Izuka to evoke a warm and expressive character inherent in this piece. Additionally, the student is told to focus on the precision of notes while playing as calmly as possible. Following the indicated tempo is also essential, and nuances must be respected.  

What we learn in this masterclass

  1. Emitting a round, warm, and expressive sound.  

  2. Learning the nuances and respect them. 

  3. Maintaining tempo. 

  4. Staying calm, focused, and relaxed. 

  5. Keeping it simple (avoid adding unnecessary flourishes).  

Valses nobles et sentimentales by Maurice Ravel

Originally written in 1911 by French composer Maurice Ravel, this suite is a skilled combination of impressionistic and modernistic music, and was sponsored by the Société musicale indépendante to encourage new and innovative work. The oeuvres proposed were not tagged under any name so that critics would not be biased by the authorship. When the Valses were featured, nobody could assume that it were the works of Maurice Ravel. 

Ravel wrote the suite as an homage to Franz Schubert and all the eight waltzes. 

  • Date:28 October 2021
  • Producer: Produced by the Saline royale Academy
  • Duration:47 min
  • Spoken language:French

Sheet music

Aim for excellence! You can improve your skills with expert advice. Download the annotated sheet music of this piano masterclass. Please note that this piece has been annotated in accordance to Michel Dalberto’s feedback and comments.

Sheet music valses nobles et sentimentales,  part 2

Michel Dalberto

Michel Dalberto

At the age of 20, he won the 1st Mozart Competition in Salzburg and received the Clara Haskil Prize.

Born in Paris in 1955 into a family with origins in the Dauphiné and the Italian Piedmont, Michel Dalberto began playing the piano at the age of three. He played in public for the first time at the age of five and a half, and at the early age of thirteen joined Vlado Perlemuter's class at the Paris Conservatoire.

At the age of twenty, he won the 1st Mozart Competition in Salzburg and was unanimously awarded the Clara Haskil Prize. In 1978, he was awarded the 1st Prize at the Leeds International Piano Competition. Other accolades include the Grand Prix de l'Académie Charles-Cros, the Prix de l'Académie du Disque Français, the Diapason d’Or, and the Echo Prize in Germany.

He has been invited to play in many European music concert halls and venues with some of the most prestigious conductors. Since the beginning of his career, Michel Dalberto has been recognized as one of the leading interpreters of Schubert and Mozart. Moreover, he is the only living pianist to have performed and recorded the complete piano works of Schubert. Recent recordings include the complete chamber music of Fauré with Renaud Capuçon and the Quatuor Ebène (winner of the German Echo Prize), the Schubert cycles 'Winter Journey' and 'Swan Song' with baritone Stephan Genz.

Additionally, Michel Dalberto is a celebrated chamber musician who has played with the world’s greatest instrumentalists. Parallel to his career as a musician, Dalberto has conducted orchestras in Asia and Europe.

He was appointed Professor at the Paris Conservatoire in September 2011 and has a regular relationship with the Tianjin Conservatory. He has previously been invited to give masterclasses at the Accademia Pianistica in Imola, the Hochschule in Hannover, the Royal College in Manchester, and more.

In 1996, the Minister of Culture made him a Chevalier in the National Order of Merit in recognition of his artistic activity.

Ravel

Maurice  Ravel

French composer Maurice Ravel was born in the French southwestern town of Ciboure in 1875. His parents moved to Paris shortly after his birth, and by age seven, Ravel began piano lessons. Five years later, at age twelve, he started composing. He was then admitted to the Conservatoire de Paris as a piano student, but was a very average student; he preferred composition. After graduating from the Conservatoire, he pursued his love for composition and was re-admitted to the prestigious musical institute, studying composition under Fauré.  

In the 1900s, he adapted many of his piano compositions into orchestral works before WWI broke out in Europe. Ravel wanted to join, but was too old, and his health was not optimal. He nonetheless succeeded in being enlisted in 1915 as a lorry driver. The war changed him, like many soldiers who struggled to return to “normal” life. The 1920s were prolific for Ravel, as he composed many of his most famous pieces during that time. By the 1930s, he turned his attention to piano concertos. 

Unfortunately, Ravel was in a traumatic taxi accident in 1932, which was not treated seriously, but seems to have precipitated an underlying cerebral condition. As his mental health deteriorated and the pain grew, he struggled to work and meet deadlines. In 1937, he had surgery to try and relieve some symptoms, but it only had temporary results, as he slipped into a coma soon after and died that same year at age 62.  

Ravel's works list eighty-five works, including many incomplete or abandoned pieces. Among his most successful oeuvres are Boléro, Daphnis et Chloé, Pavane Pour Une Infante Défunte, La Valse, Rhapsodie Espagnole, Gaspard de la nuit, Piano Concerto in G Major and Miroirs. He never married or had children and remained very private about his personal life, sparkling many rumors still unverified to this day. He is considered one of the most influential music figures of the 20th century, along with Debussy and Stravinsky.  

 

Photo credit: BNF

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