Fantaisie, Op. 38
Professor Jacques Mauger and student Victor Bufferne take on the competition piece for trombone Fantaisie, Op. 27 by Franco-Polish composer Zygmunt Stojowski.
Mauger emphasizes the importance of playing the piece to its full romantic potential by giving more shape to the dynamics and music overall.
In addition, Bufferne is encouraged to take some risks despite one’s proclivity to feel intimidated or nervous. In spite of performer’s anxiety, Mauger adds, the musician must ‘declare’ something about the piece.
Capturing the character of the piece.
Knowing when and where to take risks.
Making a declaration when playing.
Dealing with performer’s anxiety.
Dosing the length of the notes.
Zygmunt Stojowski wrote Fantasy, Op. 38 for bass trombone and piano. Published in 1912, this lyrical work is very melodic and requires advanced skill and technique to perform flawlessly (difficulty level 7°). This is the first play he wrote after moving to the United States.
Aim for excellence! You can improve your skills with expert advice. Download the annotated sheet music of this trombone masterclass. Please note that this piece has been annotated in accordance to Jacques Mauger’s feedback and comments.
A prize-winner at international competitions at Markneukirchen and at Toulon.
Jacques Mauger was born in Normandy, France, and studied the trombone at the Conservatoire National Supérieur de Musique de Paris. A prize-winner at international competitions in Markneukirchen and Toulon, he started his professional career as First Trombone with the Nice Philarmonic Orchestra, followed by a position as a solo trombonist for the Paris Opera Orchestra.
Since 1990, he has been a concert artist, appearing as a soloist with ensembles, symphony orchestras, and brass and concert bands. He has recorded over 30 CDs featuring his solo works.
Jacques Mauger teaches at the Conservatoire à Rayonnement Régional in Paris and at the HEMU in Switzerland. Moreover, he is a guest professor at the Senzoku Gaquen University of Tokyo, Japan. He frequently gives masterclass in numerous countries: France, UK, Japan, Korea, China, Spain, Germany, Switzerland, Holland, the United States, and South America. In 2007, his collection of studies for trombone (in collaboration with Jean Michel Defaye) were published.
A true Ambassador of the French school and its repertoire, he regularly presents masterclasses all over the world to cultivate the careers of future soloists. Jacques Mauger is the new president of the “Association des Trombonistes Français” and president of the International Trombone Association since 2020.
Zygmunt Stojowski was a Polish pianist, composer, born near Kielce in 1870. His musical training began with his mother, and he left Poland at age 18 to study music and composition in Paris. One year before his departure, he had performed as a concert pianist, performing Beethoven’s Piano Concerto No. 3. In 1901, his work was deemed worthy of being featured in a concert at the Warsaw Philharmonic Orchestra. Stojowski also gave a few interviews in local Warsaw papers; his career had started. His Symphony in D minor, Op. 21, had won first prize in the Paderewski Music Competition in Leipzig during the summer of 1898.
In the fall of 1905, he sailed on the SS Moltke to New York and took up the head-of-the-piano department position at the newly founded Institute of Musical Art. New York City became his home, and he stayed there for the rest of his life. He was met with remarkable success in New York as a composer, pianist and teacher, and became the first Polish composer to have a full concert performed by the New York Philharmonic.
Due to his success as a teacher, he opened his own music school in Manhattan in a four-story building. He and his Peruvian-born wife Luisa Morales-Macedo raised three sons, which he called his “best compositions.”
He became a US citizen in 1938 and died in 1946 in New York. He leaves behind a vast catalog of 43 opuses, composed of many piano pieces, two sonatas for violin and piano, some pieces for cello, one symphony, two concertos for piano, as well as a few cantatas and melodies.