Années de pèlerinage Venezia e Napoli
Années de pèlerinage Venezia e Napoli
In this piano masterclass, Professor Jean-François Heissler and student Virgile Roche make pilgrimage with Franz Liszt to Venice and Naples.
Produced by the Saline royale Academy in October, 2021 at Arc-et-Senans.
Professor Jean-François Heissler and student Virgile Roche travel with Franz Liszt to Venice and Naples in this piano masterclass. Virgile Roche deepens his knowledge of Années de Pèlerinage Venezia y Napoli, a beautiful piece composed by Liszt as part of three suites for solo piano.
A composition that is particularly technically demanding, Professor Heissler gives a few notes to his student about the left and right hand being at the ‘service of each other’, and the importance of playing the legatos and staccatos distinctly, without keeping one’s fingers ‘glued’ to the keyboard.
In order to perform this piece as naturally as possible, the piece must be known extremely well. Other elements that are examined include respecting Liszt’s use of accents, keeping with tempo, and understanding the underlying emotions and character of this oeuvre.
Posture and fingering.
Following accents, legatos, and staccatos as they were intended.
Suspending tremolos (giving the impression of gliding).
Immersing oneself into the context of the piece.
This oeuvre by Franz Liszt is part of three suites for solo piano he wrote between 1835 and 1838 and were first published in 1845. It is widely considered to be the height of his musical style and features what the composer called his “strongest sensations and most lively impressions.”
The Venezia e Napoli movement is a revision of an earlier piece and is a beautiful composition that transports the musician and audience into a great voyage. It is not an easy oeuvre to master and must be known extremely well, especially because the tempo must be always maintained and the emotions and intentions must be taken into consideration.
Aim for excellence! You can improve your skills with expert advice. Download the annotated sheet music of this piano masterclass. Please note that this piece has been annotated in accordance to Jean-Francois Heisser’s feedback and comments.
1973: 1st Prize in piano, counterpoint, harmony, fugue, accompaniment and chamber music.
Jean-François Heisser is a well-rounded artist, leading a versatile career as a pianist, conductor and teacher, fueled by a vast cultural knowledge and tireless intellectual curiosity.
Born in Saint-Etienne, he is the disciple and heir of Vlado Perlemuter, Henriette Puig-Roget and Maria Curcio.
He was profesor at the Paris Conservatoire National Supérieur de Musique from 1991 till 2016. Among his talented students are Bertrand Chamayou and Jean-Frédéric Neuburger, with whom he has developed a relationship of close musical complicity.
He now balances his career as a soloist with his activities as the musical director of the Nouvelle- Aquitaine Chamber Orchestra (since 2001), and as guest conductor and also artistic director of various institutions and major musical productions.
His extensive discography boasts over 40 recordings: after his highly acclaimed recording of the piano works of Paul Dukas (awarded the Diapason d’or de l’année prize), he embarked on a collaboration with Erato Records (a 6-CD boxed set dedicated to the Spanish repertoire of Schumann, Brahms, Saint-Saëns, Debussy, etc.), then with Naïve Records (Beethoven, Brahms) and Praga Records (Weber, Berg, Manoury, Bartok…). His recording activities are currently centered on recordings with the Nouvelle Aquitaine Chamber Orchestra for Mirare (de Falla, Wien 1925, Dubois, American Journey, Edtion of the complete Beethoven Piano Concertos) and Musicales Actes Sud (Albéniz, Mompou) labels. Just issued : the recording with Marie-Josèphe Jude of his transcription for 2 pianos of the Berlioz Symphonie Fantastique (Harmonia Mundi). Erato/Warner also recently published a box of his famous spanish recordings.
As a soloist, he has played under the baton of renowned conductors such as Janowski, TilsonThomas, Segerstam, Krivine, Mehta, Plasson, Roth etc., with, among others, the London Symphony Orchestra, the Orchestre Philharmonique de Radio France, the Royal Philharmonic Orchestra, the Orchestre de Paris, the Bayerischer Rundfunk, the Orchestre National de France or Les Siècles… He frequently performs in recitals, with a preference for Beethoven (Sonatas, Diabelli Variations etc.), Brahms, Chopin, the Spanish repertoire (Albéniz, de Falla, Granados, Mompou) and, naturally, the works of great French composers of the past and present. Alongside his performances of great concertos and major works of the piano repertoire, he is also an eager proponent: S. Poltronieri of 20thcentury works and contemporary creation: the Turangalilâ-Symphonie and Olivier Messiaen’s Des Canyons aux Étoiles, under the direction of Mehta, Janowski or Segerstam; Karlheinz Stockhausen’s Klavierstücke, Mantra and Kontakte; or the world first performance, among others, of Gilbert Amy and Nguyen Thien Dao’s Piano Concertos, along with three major works by Philippe Manoury: La Ville, Veränderungen pour piano seul and Terra Ignota for piano and 22 musicians. His uncompromising approach to interpretation leads him to perform regularly on period pianos (Weber: The Four Sonatas – Praga Records -, Konzertstück – on Mirare-). Under the direction of François Xavier Roth and his orchestra “Les Siècles”, he also alternates between modern pianos (the three Bartok concertos) and period instruments (Saint-Saëns and Brahms).
As a chamber musician, Jean-François Heisser has, needless to say, covered the entire repertoire with musical partners such as the Ysaye, Lindsay and Pražák Quartets, and his recording of the Bartok sonatas with Peter Csaba (on Praga) is now regarded as an essential work. He has also emerged as a leading advocate of the four-hands piano repertoire and of works for two pianos, notably with G. Pludermacher, M.J Jude and J.F Neuburger, and has also written daring and magnificent transcriptions for two pianos of works such as The Rite of Spring or the Symphonie Fantastique (recording with Marie-Josèphe Jude – Harmonia Mundi Jan 19). An event recording of Mantra by Stockhausen, produced with JH Neuburger, will be released in September 2020 for Mirare.
As a musical director, he has been in charge of developing the Nouvelle Aquitaine Chamber Orchestra project since 2001, firmly establishing the orchestra as one of the finest French chamber ensembles, as reflected in its recordings on the Mirare label: the orchestra’s rendering of a primitive version of de Falla’s El Amor Brujo as well as of Berg’s Kammerkonzerte were both widely acclaimed by the musical press, and are now praised as reference recordings of these works. A recording of the Complete Beethoven Concertos conducted from the piano has been released in 2017. As an artistic director, his ongoing partnership with Editions Actes-Sud has led him to direct the musical program of the Soirées Musicales d’Arles. From 2015 onwards, he will also serve as the artistic advisor of the Festival de l’Orangerie de Sceaux. And finally, continuing the work and preserving the memory of his mentor Vlado Perlemuter, “historical” performer of the great French composers,
Jean-François Heisser is also the President of the Maurice Ravel International Academy, a major educational center for the training of talented young artists. Jean-François Heisser is also the president and artitsice manager of the Ravel Festival in Nouvelle-Aquitaine since August 2017.