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Tedi Papavrami, Bach, Partita nr. 1

Sequence published on 12/2/21
Composer : Johann Sebastian Bach
Year of composition : 1720
Artistic period : Baroque
Musical category : Partita
Academy : Academy Apr. 11 - Apr. 18, 2021
Master(s) : Tedi Papavrami
Student : Anoush Papoyan
Date of recording : 10/22/21
Instrument(s) played :

"70% of the work must be slow, really slow." Tedi Papavrami

About Tedi Papavrami's violin class on the Partita No. 1

Violin Master class, Tedi Papavrami | Bach, Partita n°1

"Right from the start, the master talks about the importance of, in this case, working with the bow and doing most of the study (even to warm up) really slow. Especially some things related to the accuracy, must be studied very slowly. Most of the indications in a
part of the class are related to this, and with a correct disposition of the arm and the hand, to avoid doing things that threaten the sound: “…why do we do things that hurt our game? Because the body believes it is finding solutions to discomfort that are not
the right ones.”"

"Beyond this, of course they also work on strictly musical things, on the search for a softer and a little more singing side in the beginning, the correct execution of chords with 4 strings, and the best way to harness energy. As with all Bach pieces, the master
highlights the importance of separating the sentences, of working on the phrasing and taking into account the places of tension and distension, of contrast.
In a very interesting segment of the class, the teacher suggests that you work without vibrato so that you are forced to do more with the bow to achieve a more expressive sound."

What we learn in this Violin Master class

-Importance of working slow
-D major must be warmer
-Look for relaxation
-Feeling the arm is naging by a thread, feel the weight.
-Sometimes, with the baroque bow, it´s important to lift the bow
-Vibrato should be calm and natural
-Play with the feet flat on the ground.

About Johann Sebastian Bach's work

This Partita is unique amongst the Six Sonatas and Partitas for solo violin in that each main movement is paired with a double. This form can be interpreted as a type of theme and variation.
"The movements are: Allemanda - Double - Corrente - Double - Sarabande - Double - Tempo di Borea - Double. The main movements have many chords, whereas the doubles are always a continuous stream of notes from which the melody must be drawn-out. The harmonies throughout the partita are rich and the doubles provide a welcome opportunity to hear them again in a new context. "
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