Piano Concerto No. 23 in A Major, 2nd movement
Piano Concerto No. 23 in A Major, 2nd movement
Wolfgang Amadeus Mozart
In this masterclass, Till Fellner and Nao Sumimura work on bringing out the melody, pedaling, and playing more dramatically.
Produced by the Saline royale Academy in April 2021 at Arc-et-Senans.
Aim for excellence! You can improve your skills with expert advice. Download the annotated sheet music of this piano masterclass. Please note that this piece has been annotated in accordance to Till Fellner’s feedback and comments.
First prize in the Clara Haskil International Piano Competition in Vevey, Switzerland in 1993.
Till Fellner’s international career began in 1993 when he won first prize at the Clara Haskil Competition in Vevey, Switzerland. Since then, he has been regularly invited to play for prestigious orchestras, festivals and music centres of Europe, the United States and Japan. He collaborates with world-famous musicians. In addition, he has produced numerous recordings of the most important works in the piano repertoire. He has been teaching at the Zurich Hochschule der Künste since 2013.
Till Fellner’s international career began in 1993 with the 1st prize at the renowned Concours Clara Haskil in Vevey (Switzerland). Since then, he has been a sought-after guest at the major orchestras and the major music centres of Europe, the USA and Japan, as well as at numerous festivals.
As soloist he performs with orchestras like Berlin Philharmonic Orchestra, Vienna Philharmonic Orchestra, Koninklijk Concertgebouworkest Amsterdam, New York Philharmonic Orchestra, Boston Symphony Orchestra, Chicago Symphony Orchestra and NHK Symphony Orchestra. Till Fellner has collaborated with Claudio Abbado, Vladimir Ashkenazy, Herbert Blomstedt, Semyon Bychkov, Christoph von Dohnányi, Christoph Eschenbach, Bernard Haitink, Nikolaus Harnoncourt, Manfred Honeck, Sir Charles Mackerras, Sir Neville Marriner, Kurt Masur, Kent Nagano, Jonathan Nott, Kirill Petrenko, Hans Zender among many others. In the field of chamber music, Till Fellner regularly collaborates with British tenor Mark Padmore and with the Belcea Quartet. In autumn 2020 he will tour with violinist Viviane Hagner. Over the past few years he has dedicated himself to two milestones of the piano repertoire: The Well-Tempered Clavier of Johann Sebastian Bach and the 32 piano sonatas of Ludwig van Beethoven. He performed the Beethoven cycle from 2008 to 2010 in New York, Washington, Tokyo, London, Paris, and Vienna. Till Fellner has premiered works by Kit Armstrong, Harrison Birtwistle, Thomas Larcher, Alexander Stankovski and Hans Zender. The ECM label, for whom Till Fellner is an exclusive recording artist, has released the First Book of the Well-Tempered Clavier and the Two & Three-Part Inventions of J. S. Bach, Beethoven’s Piano Concertos Nos. 4 & 5 with the Montreal Symphony Orchestra and Kent Nagano, chamber music by Harrison Birtwistle and in 2018 a CD “Till Fellner in concert” with live recordings of works by Liszt and Beethoven. In 2016 Alpha Classics released the recording of the piano quintet by J. Brahms with the Belcea Quartet, this recording received the “Diapason d’Or de l’Année”. In his native Vienna, Till Fellner studied with Helene Sedo-Stadler before going on to study privately with Alfred Brendel, Meira Farkas, Oleg Maisenberg, and Claus-Christian Schuster.
He has taught at the Zurich Hochschule der Künste since 2013. In 2019 he was jury president at the 62nd Ferruccio Busoni International Piano Competition in Bolzano.
Wolfgang Amadeus Mozart was a great child prodigy of Western music and one of the most important musicians of Classicism. He wrote more than six hundred compositions and single-handedly developed and popularized the piano concerto. He was widely recognized during his lifetime, and is still regarded as the most universal composer in the history of classical music.
Born in 1756 to Anna Maria and Leopold Mozart in Salzburg, Austria, Wolfgang Amadeus Mozart’s musical talents were recognized at an early age. By age four, the young prodigy began playing the harpsichord, and by five-years old he was composing pieces. The Mozart family would make several trips throughout Europe to exhibit the young boy and his sister’s sensational virtuosity with the harpsichord and violin.
In later years, Mozart would enjoy a flourishing career in Vienna. He frequently performed as a pianist and was regarded as the most outstanding keyboard player in the city. In addition to his career as a performer, Mozart established himself as a fine composer. In 1782, he wrote the opera Die Entführung aus dem Serail, which was very successful. Other renowned operas written by the rising composer included Le Nozze de Figaro (1786), Don Giovanni (1787), and Cósi fan Tutte (1790).
The death of his father in 1787 may have marked the decline of Mozart’s career. He composed very few works, suffered many financial problems, and in 1791 during a visit in Prague for the premier of his opera La clemenza di Tito, Mozart became very ill. In his final days, Mozart was preoccupied with completing his final oeuvre : Requiem in D Minor, K. 626. Unfortunately, he was unable to complete this piece (it was later finished by his student Franz Xaver Süssmayr) as he passed away on December 5th, 1791 possibly of rheumatic fever, however the official cause is unknown.
Despite Mozart’s tragic early demise, the brilliant instrumentalist and composer left an unparalleled legacy. He was a gifted composer all around and wrote in every major genre including but not limited to symphonies, operas, solo concertos, sonatas, masses and more. His influence is wide and profound, and his music continues to be recognized and celebrated for its ingenuity.