Kreisleriana No. 5 & 7, Op. 13, part 2
Kreisleriana No. 5 & 7, Op. 13, part 2
In part two of this masterclass, Till Fellner and Arthur Hinnewinkel examine right hand and left-hand dynamics along with other fundamentals.
Produced by the Saline Royal Academy in April, 2021 at Arc-et-Senans.
First prize in the Clara Haskil International Piano Competition in Vevey, Switzerland in 1993.
Till Fellner’s international career began in 1993 when he won first prize at the Clara Haskil Competition in Vevey, Switzerland. Since then, he has been regularly invited to play for prestigious orchestras, festivals and music centres of Europe, the United States and Japan. He collaborates with world-famous musicians. In addition, he has produced numerous recordings of the most important works in the piano repertoire. He has been teaching at the Zurich Hochschule der Künste since 2013.
Till Fellner’s international career began in 1993 with the 1st prize at the renowned Concours Clara Haskil in Vevey (Switzerland). Since then, he has been a sought-after guest at the major orchestras and the major music centres of Europe, the USA and Japan, as well as at numerous festivals.
As soloist he performs with orchestras like Berlin Philharmonic Orchestra, Vienna Philharmonic Orchestra, Koninklijk Concertgebouworkest Amsterdam, New York Philharmonic Orchestra, Boston Symphony Orchestra, Chicago Symphony Orchestra and NHK Symphony Orchestra. Till Fellner has collaborated with Claudio Abbado, Vladimir Ashkenazy, Herbert Blomstedt, Semyon Bychkov, Christoph von Dohnányi, Christoph Eschenbach, Bernard Haitink, Nikolaus Harnoncourt, Manfred Honeck, Sir Charles Mackerras, Sir Neville Marriner, Kurt Masur, Kent Nagano, Jonathan Nott, Kirill Petrenko, Hans Zender among many others. In the field of chamber music, Till Fellner regularly collaborates with British tenor Mark Padmore and with the Belcea Quartet. In autumn 2020 he will tour with violinist Viviane Hagner. Over the past few years he has dedicated himself to two milestones of the piano repertoire: The Well-Tempered Clavier of Johann Sebastian Bach and the 32 piano sonatas of Ludwig van Beethoven. He performed the Beethoven cycle from 2008 to 2010 in New York, Washington, Tokyo, London, Paris, and Vienna. Till Fellner has premiered works by Kit Armstrong, Harrison Birtwistle, Thomas Larcher, Alexander Stankovski and Hans Zender. The ECM label, for whom Till Fellner is an exclusive recording artist, has released the First Book of the Well-Tempered Clavier and the Two & Three-Part Inventions of J. S. Bach, Beethoven’s Piano Concertos Nos. 4 & 5 with the Montreal Symphony Orchestra and Kent Nagano, chamber music by Harrison Birtwistle and in 2018 a CD “Till Fellner in concert” with live recordings of works by Liszt and Beethoven. In 2016 Alpha Classics released the recording of the piano quintet by J. Brahms with the Belcea Quartet, this recording received the “Diapason d’Or de l’Année”. In his native Vienna, Till Fellner studied with Helene Sedo-Stadler before going on to study privately with Alfred Brendel, Meira Farkas, Oleg Maisenberg, and Claus-Christian Schuster.
He has taught at the Zurich Hochschule der Künste since 2013. In 2019 he was jury president at the 62nd Ferruccio Busoni International Piano Competition in Bolzano.
Born in Zwickau, Saxony (Germany) on June 8, 1810, Robert Schumann was a renowned Romantic composer still celebrated today mainly for his orchestral works and piano compositions. Many of his most famous piano compositions were dedicated to his wife and established pianist, Clara Schumann.
Unlike many composers before him, Schumann did not come from a musical family. Despite this, Robert began learning the piano at an early age at six-years-old. As a teenager, the young musician would become heavily influenced and inspired by Austrian composer Franz Schubert as well as the German poet, Jean Paul Richter. At seventeen, Robert Schumann began composing music that same year.
In 1828, Schumann studied for a few months with famed teacher, Friedrich Wieck — leading to the faithful meeting with Wieck’s daughter Clara. A year later, the young composer left Leipzig for Heidelberg where he composed several waltzes, which were later recycled in his works Papillons (Op. 2). He practiced the piano vigorously until he became a virtuoso pianist. He would return to study with Wieck in Leipzig.
The 1830s was a time for prolific writing and composing for Robert Schumann, where many of his piano pieces were published. They included Papillons, Carnaval, and Études symphonies. Around this period, Clara and Robert would eventually marry.
Robert Schumann would go on to write Davidsbündlertänze, Phantasiestücke, Kinderszenen, Kreisleriana, Arabeske, Novelletten as well as some chamber works — a departure from his usual compositions.
By the 1840s, Robert Schumann’s works lost the magic that they once had earlier in his life. He suffered from mental illness and would have periods of severe depression and anxiety. He lived the rest of his days near Bonn and died in 1856.