Cello Sonata No. 2, Op. 99, 1st movement, version 2
Cello Sonata No. 2, Op. 99, 1st movement, version 2
Professor Marc Coppey and his student Beltran Calderon Bosom work on tempo, articulation, and other fundamentals in this masterclass.
Produced by the Saline royale Academy in October, 2020 at Arc-et-Senans.
Professor Marc Coppey demonstrates the importance of teamwork and balance between the cello and piano in this Brahms sonata. With this, he highlights moments where his student Beltran Calderan Bosom can create more of a sense of duality by listening to the piano and adjusting rhythm, articulation, and color of sound to match. In addition to blending with the piano, Coppey encourages some lightness and energy in the character to achieve a true allegro vivace.
Coppey also helps the student find an open, singing quality of sound and a sostenuto that will ensure that the cello rings in a performance hall. This is specifically achieved by loosening the grip on the bow, readjusting the weight distribution of the hands, and feeling the depth of the string without exerting excessive pressure.
That's something to always consider, especially in this sonata - when you stop, the music doesn't stop.
Aim for excellence! You can improve your skills with expert advice. Download the annotated sheet music of this cello masterclass. Please note that this piece has been annotated in accordance to Marc Coppey’s feedback and comments.
In 1988 won the two highest prizes of the International Johann Sebastian Bach Competition: the first prize and the special prize for best Bach performance.
Marc Coppey is a critically acclaimed musician and is considered to be one of today’s leading cellists worldwide. Originally from Strasbourg, France, Coppey began his musical training at the Strasbourg Conservatory before attending the Conservatoire National Supérieur de Musique et de Danse de Paris and the University of Indiana Bloomington. In 1988 at only 18-years-old, Coppey won first prize and special prize for best Bach performance at the International Johann Sebastian Bach Competition in Leipzig, Germany. Since then, Marc Coppey has regularly performed as a soloist with leading orchestras in collaboration with numerous distinguished conductors. Such conductors include but are not limited to: Eliahu Inbal, Rafael Frühbeck de Burgos, Yan-Pascal Tortelier, Emmanuel Krivine, Alan Gilbert, and many more. He appears regularly in some of the most prestigious concert halls across Europe, North and South America, and Asia. In addition to his solo concert career, Marc Coppey is a professor at the Conservatoire National Supérieur de Musique et de Danse de Paris and leads masterclasses all over the world. What’s more, Marc Coppey lends his expertise in the arts and is the Artistic Director of the Musicales de Colmar chamber music festival as well as the Musical Director of the Zagrebacki solisti (Zagreb Soloists). In 2014, he was named the Officer des Arts et des Lettres by the French Minister of Culture.
Johannes Brahms’ Cello Sonata No. 2, Op. 99 was written in 1886 for Robert Hausmann, who performed and brought it to the public eye. This oeuvre contains four movements which are Allegro vivace, Adagio affettuoso in F-sharp major, Allegro passionate in F minor, and Allegro molto.
The first movement, Allegro vivace, begins with a scattered cello theme played over a tremolo piano section, and is in standard sonata form. The second movement begins with piano chords accompanying a pizzicato exposition performed by the cello. Next, the third movement contains a lyrical trio section in F major, and the last movement is in rondo form.
Born in Hamburg, Germany on May 7, 1833, Johannes Brahms was the son of musician Johann Jakob Brahms. Johannes Brahms began his musical education learning the piano, cello, and horn. From the age of 7-years-old, he studied the piano under Otto Friedrich Willibald Cossel.
Composer, pianist, and conductor, Brahms began his career at the end of the classical tradition (approx. 1730-1820) and established himself as a central figure in classical music’s Romantic era. His first concert tour took place in 1853 where he built a deep camaraderie with fellow musician, Robert Schumann.
His first major work presented to the public was Concerto No. 1 for piano and orchestra in D minor, which was performed by himself in Leipzig in 1859. In 1863, he moved to Vienna, where he was appointed conductor of Singakademie (Singing academy), which he would leave only a year later.
By 1868, Brahms achieved fame throughout Europe for the premiere of his renowned work German Requiem. Other notable works by Brahms include but are not limited to: Piano Concerto No. 1 in D minor, op. 15, Variations and Fugue on a Theme by Handel, op. 24, Piano Quartet No. 1 in G minor, op. 25, Cello Sonata No. 1 in E minor, op. 38 Symphony No. 1 in C minor, op. 68, Violin Concerto in D major, op. 77 Symphony No. 3 in F major, op. 78 Symphony No. 4 in E minor, op. 98, and Cello Sonata No. 2 in F major, op. 99 Quintet with Clarinet in B minor, Op. 115. Brahms has been lauded for his deep understanding of formal construction and his rendering of melodic richness, harmonic complexity, and his mastery to achieve a myriad of moods and atmosphere.
Johannes Brahms passed away on April 3,1897, in Vienna.
Photo credit: Fritz Luckhardt