Produced by the Saline royale Academy in April, 2021 at Arc-et-Senans.
At the same time, there are recurring comments about breathing, certain accents, dynamics, changes in tempo, and the importance of making the sections different from each other.
Aim for excellence! You can improve your skills with expert advice. Download the annotated sheet music of this clarinet masterclass. Please note that this piece has been annotated in accordance to Sharon Kam’s feedback and comments.
Won the 1992 ARD Music Competition in Munich.
Sharon Kam is one of the world’s leading clarinet soloists and has been working with renowned orchestras in the United States, Europe, and Japan for over 20 years. Mozart’s clarinet masterpieces have been an object of artistic focus for Ms. Kam since the beginning of her career. At the age of 16, she performed the Mozart Clarinet Concerto in her orchestral debut with the Israel Philharmonic Orchestra and Zubin Mehta. A short time later, she performed the Clarinet Quintet with the Guarneri String Quartet in Carnegie Hall, New York. As part of Mozart’s 250th birthday celebrations at the National Theatre in Prague, her interpretation of the Mozart concerto was televised live in 33 countries and is available on DVD. In the same year, she was able to realize her longtime dream of recording the Concerto and the Clarinet Quintet using the basset clarinet.
Contributing to the widely praised disk were eminent string players Isabelle van Keulen, Ulrike-Anima Mathé, Volker Jacobsen and Gustav Rivinus, as well as the Haydn Philharmonie.
As a passionate chamber musician, Sharon Kam regularly works with artists such as Lars Vogt, Christian Tetzlaff, Enrico Pace, Daniel Müller-Schott, Leif Ove Andsnes, Carolin Widmann and the Jerusalem Quartet. She is a frequent guest at festivals in Schleswig-Holstein, Heimbach, Rheingau, Risør, Cork, Verbier, and Delft, as well as the Schubertiade festival. An active performer of contemporary music, she has premiered many works, including Krzysztof Penderecki’s Concerto and Quartet and concertos by Herbert Willi (at the Salzburg Festival), Iván Erőd and Peter Ruzicka (at Donaueschingen).
Sharon Kam feels at home in a variety of musical genres – from classical to modern music and jazz – a fact reflected in her diverse discography. She received the ECHO “Instrumentalist of the Year” award two times: in 1998, for her Weber recording with the Gewandhaus Orchestra of Leipzig and Kurt Masur, and in 2006, for her CD with the Leipzig Radio Orchestra featuring works by Spohr, Weber, Rossini and Mendelssohn. Her “American Classics” CD with the London Symphony Orchestra, conducted by her husband Gregor Bühl, was awarded the Deutsche Schallplattenkritik Prize. In 2013 she released a recording entitled “Opera!”. This collaboration with the Württembergisches Kammerorchester, conducted by Ruben Gazarian, includes transcriptions of operatic arias ranging from Rossini and Puccini to Wolf-Ferrari, arranged for clarinet and chamber orchestra. The release was accompanied by an inaugural tour. To mark the 100th anniversary of Max Reger’s death in 2016, her chamber music partners from her Mozart recording rejoined to record the clarinet quintets by Reger and Brahms (Edel, October 2015). During the season 2019/20 Sharon Kam will perform at concert halls including the Wiener Musikverein and in a portrait concert at the Elbphiharmonie as well as with the Vienna and Munich Chamber Orchestras, the Staatskapelle Halle, the Saarländischen Staatsorchester, the Hungarian National Philharmonic Orchestra and the Szczecin Philharmonic Orchestra. In September 2019 her new Trio album was released, recorded with her long-term partners Ori Kam and Matan Porat, with whom she will also present their acclaimed program again at various chamber music series.
Sharon Kam is a Buffet Crampon Artist and has always been playing the R13 model. Her mouthpiece is made by Peter Eaton, London.
Claude Debussy was born in 1862, and is considered the originator and foremost representative of musical impressionism. He was admitted to the Paris Conservatoire at the age of 10 and never stopped pursuing music, first as a pianist and then as a composer. The parallel fifths, the cancellation of sensitive notes, tonal ambiguity, modal scales, and extended chords, among other things, are elements masterfully used by Debussy and serve to make his music true masterpieces recognized throughout the world. Debussy is one of the most important composers in history, and his influence exceeds even the limits of "classical music.”
In 1880, he began to compose music for the piano and give piano lessons. Later, he enrolled in Ernest Guiraud’s composition class, where he also began working as an accompanist in Victorine Moreau-Sainti’s singing classes. During this period in his life, Debussy struggled financially, but he began to cultivate his life. He explored other types of music and art forms, such as attending a Javanese gamelan performance at the Universal Exposition of 1889, discovering Mussorgsky, and befriending fellow musician and composer Ernest Chausson. Debussy’s career as a composer is closely linked to his relationship with Symbolist and Parnassian poets: Stéphane Mallarmé being an essential figure. These influences, together with the renewal of Impressionist painting, were aspects that pushed him towards the search for an original and personal artistic path. “I've had enough of music, of the same everlasting landscape; I want to see a Manet and hear some Offenbach,” he wrote while in Rome.
In a sad turn of events, Debussy was diagnosed with intestinal cancer and was operated on in 1915. He was never able to recover the fullness of his strength. He finished his Violin Sonata in March 1917, and three other sonatas remained unrealized. His last concert appearance was at Saint-Jean-de-Luz in September 1917, where he played the Violin Sonata with Gaston Poulet. He died in Paris six months later.
At the Conservatoire, he acquired classical knowledge: the likes of Bach, Mozart, Beethoven, Schuman, Handel, and Liszt. Later on, he would recognize the artistic mastery of the Group of Five, which was made up of contemporary Russian composers (he acquired his taste for ancient and oriental modes from the Russians); the Japanese gamelan, and Chopin's music. Inspired by international art and culture, Claude Debussy’s music are masterpieces celebrated all around the world.
Photo credit: BNF Gallica