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Silvia Careddu, Mozart, Flute Concerto in G major

Sequence published on 2/17/21
Composer : Wolfgang Amadeus Mozart
Year of composition : 1778
Artistic period : Classique
Musical category : Concerto
Academy : Academy Feb. 14 - Feb. 21, 2021
Master(s) : Silvia Careddu
Student : Agata Smeralda Petrognani
Date of recording : 10/22/21
Instrument(s) played :

"it's a quite an easy piece, but shows a lot of how we are able to respect the music and control the instrument." Silvia Careddu

About the Flute class of Silvia Careddu on the Concerto pour flûte en sol majeur

Master class de Flûte par Silvia Careddu | Mozart, Concerto

The Flute Concerto No. 1 in G major is one of the often played recitals. The master class is devoted
to some aspects of performance and stylistic interpretation. The absence of great difficulties of a
technical character is compensated by the need to revealing the relief of phrases, the general
compositional line. However, one of the prerequisites is the stylistic accuracy of articulation and
dynamics. The master draws attention to this at the beginning and the end of the master class.

What we learn in this Flute Master class

- To be in a tight ensemble with the piano (orchestra)
- To make the rhythm more energetic and lighter
- To combine the articulation from Bach and Mozart with something new but appropriate
- To be in sound stream and react immediately to some changes in music
- To control the performance in the style of Mozart and follow the author’s remarks
- To produce the impression inside and lead it through the music to listeners 

About Wolfgang Amadeus Mozart's work

Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptized as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Mozart's music, like Haydn's, stands as an archetype of the Classical style. At the time he began composing, European music was dominated by the style Galant, a reaction against the highly evolved intricacy of the Baroque. Progressively, and in large part at the hands of Mozart himself, the contrapuntal complexities of the late Baroque emerged once more, moderated and disciplined by new forms, and adapted to a new aesthetic and social milieu. Mozart was a versatile composer, and wrote in every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata.
The Flute Concerto No. 1 in G major, K. 313, was written in 1778 by Wolfgang Amadeus Mozart. Commissioned by the Dutch flutist Ferdinand De Jean in 1777, Mozart was supposed to provide four flute quartets and three flute concertos, yet he only completed two of the three concertos, K. 313 being the first. The Andante for Flute and Orchestra K. 315 may have been written as an alternative slow movement for this concerto, but there is no extant manuscript and it is, therefore, difficult to ascertain Mozart's intentions clearly (this also means that current editions are based on the earliest editions rather than an autograph). The piece is scored for a standard set of orchestral strings, two oboes (which are replaced with two flutes in the Adagio movement), and two horns. It runs for about 25 minutes. The piece is divided into three movements: Allegro maestoso, Adagio ma non troppo, Rondo: Tempo di Menuetto
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